Daniel Roche (born in 26 July 1935) is a French social and cultural historian. His primary field of research is the cultural history of France during the later years of the Ancien Régime.
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Roche has produced over two hundred publications covering a broad variety of subjects within the social and cultural history of France and Europe under the Old Regime.[1]
Roche’s research has had a significant impact on the historical study of the Enlightenment and 18th-century France in general. He has made significant use of hitherto ignored notarial archive sources such as post-mortem inventories, which have yielded insight into the basic material culture of Paris and the rise of consumerism during the 18th century. Roche has largely defined the study of ‘everyday items’ (les choses banales).[2] The social changes that took place over the course of the Enlightenment in France have figured prominently in Roche’s research. The broad scope of Roche’s research into the Enlightenment has included diverse areas such as public institutions and clothing worn by the popular classes.
Roche’s doctoral thesis was published in 1978 under the title Le Siècle des Lumières en Province: Académies et Académiciens Provinciaux, 1680–1789 (The Enlightenment in the Provinces: Provincial Academies and Academics, 1680–1789) and was quickly met with praise not only as a work of social cultural history, but also for its value as a study of the history of science.[3] In Le Siècle des Lumières en Province, Roche conducts an in-depth examination of academic institutions outside of Paris from the late 17th century up to the onset of the French revolution. Roche argues that the provincial academies (under the patronage of the French monarchy) both protected and weakened the French state, demonstrating that the relationship between the Ancien Régime and the Enlightenment that took place over the course of the 18th century was complex as opposed to strictly oppositional.[4]
Le Siècle des Lumières en Province remains a highly influential work in the historiography of 18th-century intellectual trends. The French Enlightenment is shown to be complicated where the relationship between state and academy is concerned. The historian Isabel Knight notes that the academic movement that Roche details “both displayed and mediated the tension between established and emerging classes, between tradition and innovation, and between ideology and criticism.”[5]
Le Peuple de Paris. Essai sur la Culture Populaire au XVIIIe Siècle (The People of Paris. Essay on Popular Culture in the Eighteenth Century) was published in 1981. It is a study of the every day lives of the more ordinary people living in Paris during the Enlightenment who, despite living in poor conditions, underwent a degree of improvement over the course of the century in terms of material culture and consumption.[6]
In Le Peuple de Paris, Roche presents an innovation in terms of source material by making extensive use of inventories (lists of belongings drawn upon a person’s death) to provide an accurate depiction of the state of material culture. The historian David Garrioch, a historian of revolutionary Paris, calls Le Peuple de Paris “an important book not only for the new information and insights if gave, but also for its innovative methodology and the new questions it posed.”[7]
Roche’s La Culture des Apparances. Une Histoire du Vêtement, XVII-XVIIIe Siècle (The Culture of Clothing. Dress and Fashion in the Ancien Régime) details the history of clothes in Paris during the Enlightenment. Roche’s main argument is that the culture around clothing in a social context underwent a profound transformation from the reign of Louis XIV to that of Louis XVI. A study of over a thousand post-mortem inventories demonstrates that clothing became purchased in greater amounts at greater prices and with more emphasis on style than on functionality. More specifically, Roche argues that the reinforcement of social status through appearance so prevalent during the reign of Louis XIV gradually eroded during the 18th century, eventually yielding a culture of clothing that was profoundly consumer-driven and oriented around style rather than social status.[8]
La Culture des Apparances has been praised for its inherent value as a study of clothing in history, as well as for building upon the innovative use inventories as sources first seen in Le Peuple de Paris.[9] Moreover, La Culture des Apparances is of immediate significance to the modern day, as it traces the birth of present-day consumerist and style-oriented culture of clothing.
La France des Lumières (France in the Enlightenment) is a broad examination of the social and cultural history of the Enlightenment in France. In it, Roche explores of the social and cultural changes that took place across the entire scope of French society during the 18th century, as well as the forces that aided such changes.[10] Roche argues that the cultural history 18th century as a complex period of progress divided between “those who favored a broadening of cultural opportunities...and those who favored limiting such opportunities.”[11] Also central to the La France des Lumières is the establishment of certain preconditions for the progressive social transformation that took place during the Enlightenment, specifically that criticisms of all aspects of human behavior arose, the symbols of monarchy were gradually eroded, and a space formed for political activity in spite of French society’s nature and traditions as a monarchical state.[12]
Roche’s work has given rise to a number of criticisms usually originating from historians principally interested in the French Revolution rather than the French Enlightenment. David Garrioch points out that religious history, visual sources, and any discussion of revolutionary Paris (all three being of important consequence to the history of the Enlightenment although the focus on the latter tends to teleologically frame 1789 as the terminus ad quem of the 18th century) are all largely absent from Roche’s writings.[13] The history of consumerism in early modern France is also a problematic approach to the broader French Enlightennment because the materially poor of the cities and the bulk of the rural population lacked the means or incentive to engage in consumerism.[14] However, such a criticism neglects the fact that Roche did indeed devote considerable attention to the material world of the urban poor in his classic, Le Peuple de Paris (1981).
France in the Enlightenment has been met with a considerable degree of criticism. D. M. G. Sutherland, another revolutionary historian, criticizes the Roche’s overly progressive take on the Enlightenment that tends to accept the Enlightenment’s own discourse on itself, disregarding anything that preceded it as being backward.[15] On France in the Enlightenment, Sutherland says “Daniel Roche has written the history of France in the Enlightenment that intellectuals tried to compel us to write over two hundred and fifty years ago.”[16] The progressive tone of the France in the Enlightenment is contradicted by other research, most notably the work of Robert Darnton, whose own research into the clandestine, popular, and vulgar literary culture of France during Old Regime contrasts significantly with the conclusions of progress in education, philosophy, and culture at which Roche arrives.[17] Such a criticism overlooks the fact that Roche did indeed devote considerable attention to the "two worlds of Paris" in the Enlightenment – that of the impoverished masses from which many of Darnton's Grub Street came – and that of the wealthy elites.
Furthermore, Roche’s writing has been criticized early in his career for being difficult to translate from the original French and at times jargonistic or frustrating to read for the non-expert in the field.[18] This criticism aside, a number of Roche's later works were successfully translated into English and other languages.